Thursday, December 26, 2019

Depictions of the Afterlife - 1060 Words

The afterlife as a residence for souls after death has long been a topic of discussion and debate. This idea intrigues many. As Christians we believe that heaven is a place where believers go where life there will be a continuation of their present life, while hell is a place of judgment and punishment where many experience severe treatment. Direct experience is the only way individuals can experience these concepts, but once we obtain the experience it cannot be shared. This ultimately makes us want to know more leading many to visualize the afterlife. Starting with the earliest Greek Epics, such as The Iliad, society has imagined an Underworld, a place beneath the Earth where souls go once the body dies. Our thoughts and expectations about such an idea have changed over time; the idea of the Underworld continues in many Greek and Latin poems and it still used today (Spiegel). The best descriptions of the afterlife are found in Dante’s Divine Comedy. In his first book, The In ferno, Dante explores Hell, a place in which sinners dwell after they die. His account is mainly taken from Book VI of Virgil’s The Aeneid, which describes Aeneas’s journey into the Underworld to visit his father. These two works, written many years apart share similar ideas about life after death and it makes us consider the changes in society’s thoughts over these times. There are obvious differences found between these two stories and they correlate with the different beliefs society has about theShow MoreRelatedComparison Between Etruscan And Roman Art1357 Words   |  6 Pagesmore retrospective memorialization through the depiction of the couple in a state of regularity the Roman Mummy of Artemidorus presents a more prospective approach concerning the deceased through the emphasis of funerary practices. The Sarcophagus with reclining couple from the Banditaccia necropolis, Cerveteri, Italy, ca. 520 BCE portrays the subjects in their ideal state of life. It functions as a prime example of the extravagant Etruscan depiction of death and the deceased. The man and woman memorializedRead MoreThe Growth Of The Mystery Cult Of Mithraism1664 Words   |  7 Pageslifestyle of a person determined whether a person would be a reward or punished in the afterlife. A reward is happiness and peace and being able to ascend to the stars while a punishment is being tortured somewhere underground. It is hard to understand why Mithraism became popular in Ancient Rome or is there is any actual textual evidence that can link the religion origin. All the information gather is derived from depiction on monuments and the limited mentions of the cult in literary sources. We see mentionRead MoreSum : Forty Tales From The Afterlives By David Eagleman784 Words   |  4 PagesThe characters are, in nearly every chapter, God and the humans. The author’s forty theories about the afterlife point to a bigger picture of the human condition, and raise contemplation about the way the reader lives. The first chapter jumps right into the theme of the book: â€Å"In the afterlife†¦Ã¢â‚¬  This hook is so straight forward and matter-of-fact, the reader is intrigued to read about this afterlife the narrator is so sure about. This is the pattern in every story throughout the book, making the workRead MoreDeath, Morality, And The Afterlife919 Words   |  4 PagesThe idea the death, morality, and the afterlife have gradually changed through history. Death has an unavoidable and unpredictable nature. The conceptualization of death and what happens to a person when they die is perplexing to understand. Humans tend to fear the things in which they cannot begin to explain. No one person exactly knows for sure what to expect once they leave this world. 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Painted on the wall of a tomb belongingRead MoreEgypts Greatest Art1676 Words   |  7 Pagesrealistic, the king’s feet are far too large and his head too small in proportion to his body. These statues held such high importance because they were believed to hold divine power and acted as a place for the king’s â€Å"ka†, or spirit, during the afterlife. Although these statues mainly represented the king after death, during this period sculpture begin to represent the king during life as well. These statues were displayed in temples and served as monuments to attest to the king’s dominance. Both

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